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Catalogue # Title Type Subject Description
2018.417.2280Base and spinning wheel head for a 'walking' or 'great' spinning wheel
  • Object, Spinning Wheel
  • Other, Textiles
Three-legged base for a 'walking' or 'great' spinning wheel. Base was originally from the attic of the Scudder house on the north shore of Islesford. Head is termed a 'minor' head made of wood and iron; it came from the donor's wheel in Sullivan, Maine. Donor is a spinner and weaver, and lectures about heritage textiles. She noticed GCIHS had a wheel with no base in collection (GCIHS 2015.312.2072). The two parts married up perfectly. Wheel dates to ca. 1880s; Shakers made this type of great wheel.
Description:
Three-legged base for a 'walking' or 'great' spinning wheel. Base was originally from the attic of the Scudder house on the north shore of Islesford. Head is termed a 'minor' head made of wood and iron; it came from the donor's wheel in Sullivan, Maine. Donor is a spinner and weaver, and lectures about heritage textiles. She noticed GCIHS had a wheel with no base in collection (GCIHS 2015.312.2072). The two parts married up perfectly. Wheel dates to ca. 1880s; Shakers made this type of great wheel. [show more]
2015.312.2072Great wheel spinning wheel
  • Object, Spinning Wheel
  • Other, Textiles
Wheel from a 'walking' a.k.a. 'great' spinning wheel. Smooth wooden wheel, 45" diameter with brass core in hub of wheel. Rusted nail heads visible where wood overlaps on exterior of wheel and also where several spokes meet the wheel. No other parts of this walking wheel have been located. (It may have come from the Liebow house originally.) This wheel was installed on a 2018 donation of a spinning wheel base from Islesford that fits perfectly.
Description:
Wheel from a 'walking' a.k.a. 'great' spinning wheel. Smooth wooden wheel, 45" diameter with brass core in hub of wheel. Rusted nail heads visible where wood overlaps on exterior of wheel and also where several spokes meet the wheel. No other parts of this walking wheel have been located. (It may have come from the Liebow house originally.) This wheel was installed on a 2018 donation of a spinning wheel base from Islesford that fits perfectly. [show more]
1000.186.1346Four-legged spinning wheel
  • Object, Spinning Wheel
  • Other, Textiles
Small, wooden, four-legged flax spinning wheel with flat table, grooved wheel. "FARNHAM Near Owego" impressed into base. This four-legged wheel is missing part(s). [Note: http://collections.mohistory.org/resource/198156.html says Joel Farnhan was a wheelwright and cabinet maker who moved from PA to Owego NY in 1794.By the 1820s he had a well-established milling and wheelwright business which passed on to his youngest son Frederick, who began producing his own wheels by the 1840s.]
Description:
Small, wooden, four-legged flax spinning wheel with flat table, grooved wheel. "FARNHAM Near Owego" impressed into base. This four-legged wheel is missing part(s). [Note: http://collections.mohistory.org/resource/198156.html says Joel Farnhan was a wheelwright and cabinet maker who moved from PA to Owego NY in 1794.By the 1820s he had a well-established milling and wheelwright business which passed on to his youngest son Frederick, who began producing his own wheels by the 1840s.] [show more]
2013.222.1882Wooden and foam lobster buoys on a rope
  • Object, Fishing, Fishing Buoy
  • Businesses, Fishery Business
Fishing gear, 3 wooden and 5 foam buoys (lobster floats), strung on a rope; wooden buoys: a) bullet shape with white bottom and orange top, hole on top for handle, hole through bottom body for trap rope, 18.5" L x 4" W x 4" D; b) bullet shape with blotches of white, green, and yellow all over the body and handle, branded with "98?????" carved letters ?VV, on the another side carved letters "?ILLE", on another side carved letters "SOW??I?", with black rubber strip tacked on two opposite sides to make a loop for attaching trap rope, 25" L x 5.5" W x 4.5" D; c) log shape with white bottom and orange top and handle branded with "PL ?UNKER" and "BU???R" with canvas strip tacked on the flat bottom to make aloop for attaching trap rope, but broke so a rubber stip was tacked on top of it for the same purpose, 17" L x 7.5" W x 6.25" D; (and 5 foam floats removed for display outside Shaw cabin 2015)
Description:
Fishing gear, 3 wooden and 5 foam buoys (lobster floats), strung on a rope; wooden buoys: a) bullet shape with white bottom and orange top, hole on top for handle, hole through bottom body for trap rope, 18.5" L x 4" W x 4" D; b) bullet shape with blotches of white, green, and yellow all over the body and handle, branded with "98?????" carved letters ?VV, on the another side carved letters "?ILLE", on another side carved letters "SOW??I?", with black rubber strip tacked on two opposite sides to make a loop for attaching trap rope, 25" L x 5.5" W x 4.5" D; c) log shape with white bottom and orange top and handle branded with "PL ?UNKER" and "BU???R" with canvas strip tacked on the flat bottom to make aloop for attaching trap rope, but broke so a rubber stip was tacked on top of it for the same purpose, 17" L x 7.5" W x 6.25" D; (and 5 foam floats removed for display outside Shaw cabin 2015) [show more]
2016.355.2120Wooden buoys and decoys, some from 1920s
  • Object, Fishing, Fishing Buoy
  • Businesses, Fishery Business
Buoys and decoys. Collection of 10 wooden buoys of various shapes and sizes, and two wooden decoys. 1. Blue and white fish-shaped wooden buoy with Richmond name on it. LHA 7519. 2. White, wooden with EW carved onto small piece of wood affixed to buoy (perhaps Edgar White). Hole for handle but handle is missing. 3. Black, yellow, and red bottom, wood, with Numbers 360 or 9 with rubber strap on end. Log with flat bottom. W. Bracy carved, ca. 1920s 4. Mushroom shape, no handle with EN White 1442 with iron ring. See the other "White" above and below. White fished 1930s to 1960s 5. Red bullet shaped, wooden with wooden handle. Branded on it C. Alley, 967 and 805 and 7193; (The name Richman is written on masking tape affixed to buoy.) 6. Red, yellow, and black, wooden handle and rubber strap, Part of last name or complete last name is 'Auy'. Red black yellow chipped paint, with rubber or leather strap and handle broken off, long crack. Has a number on it. 7872 branded on it. 7. Wood, white, mushroom shape with half black handle. "1442" and "N White", with iron ring on base. Perhaps turned on a lathe. Unusual. See the other "White" buoy. 8-10 Three buoys tied together: Blue and white, fish shaped, with Richardson 900. 11. Decoys. Wood with post on one end (neck) and B.S. carved on body. B.S. could indicate Bert Stanley or Boynton Stanley, perhaps gift of Jim Bradley - flat bottom, twine attached to each end to connect to other decoys. (See also 1000.0.1296 primitive decoys in museum.)
Description:
Buoys and decoys. Collection of 10 wooden buoys of various shapes and sizes, and two wooden decoys. 1. Blue and white fish-shaped wooden buoy with Richmond name on it. LHA 7519. 2. White, wooden with EW carved onto small piece of wood affixed to buoy (perhaps Edgar White). Hole for handle but handle is missing. 3. Black, yellow, and red bottom, wood, with Numbers 360 or 9 with rubber strap on end. Log with flat bottom. W. Bracy carved, ca. 1920s 4. Mushroom shape, no handle with EN White 1442 with iron ring. See the other "White" above and below. White fished 1930s to 1960s 5. Red bullet shaped, wooden with wooden handle. Branded on it C. Alley, 967 and 805 and 7193; (The name Richman is written on masking tape affixed to buoy.) 6. Red, yellow, and black, wooden handle and rubber strap, Part of last name or complete last name is 'Auy'. Red black yellow chipped paint, with rubber or leather strap and handle broken off, long crack. Has a number on it. 7872 branded on it. 7. Wood, white, mushroom shape with half black handle. "1442" and "N White", with iron ring on base. Perhaps turned on a lathe. Unusual. See the other "White" buoy. 8-10 Three buoys tied together: Blue and white, fish shaped, with Richardson 900. 11. Decoys. Wood with post on one end (neck) and B.S. carved on body. B.S. could indicate Bert Stanley or Boynton Stanley, perhaps gift of Jim Bradley - flat bottom, twine attached to each end to connect to other decoys. (See also 1000.0.1296 primitive decoys in museum.) [show more]
1000.0.1320School sign
  • Object, Sign
  • Organizations, School Institution
Sign, yellow with black letters "School"
Description:
Sign, yellow with black letters "School"
1000.18.329Cranberry Isles Ladies Aid Dinner Tickets
  • Object, Ticket
  • Organizations, Civic
Ticket, two Cranberry Isles Ladies Aid Dinner Tickets, with envelope and letter from Nancy Jones to Ruth Westphal
Description:
Ticket, two Cranberry Isles Ladies Aid Dinner Tickets, with envelope and letter from Nancy Jones to Ruth Westphal
2013.214.1856Boat name plate: ADELAIDE
  • Object, Sign
  • Vessels, Boat
Boat equipment, wooden name plate, white, made in a sort of mushroom shape, with slightly raised black letters "ADELAIDE"
Description:
Boat equipment, wooden name plate, white, made in a sort of mushroom shape, with slightly raised black letters "ADELAIDE"
2016.366.2129Rowboat or skiff by Chummy Spurling
  • Object, Vessels, Boat, Skiff
  • Vessels, Boat
Boat. Rowboat or skiff made ca. 1890. White with red trim. (The boat is on the right in this 2016 photo showing two rowboats. The other images are from June 2010 after GCIHS was given the boat and before it was repainted.) Per Willie Granston (GHMM): "used to have a name on the stern (Cat's Miow) and was given to the Historical Society by a Northeast Harbor family who had it in the basement of their cottage (the Brzezinski family)... I had it in an exhibit in Northeast Harbor (The Power of the Oar - Summer 2010), and it looked really really nice. We spent a lot of time cleaning it and washing it... It is almost undoubtedly a Chummy Spurling skiff as I lined it up with a known Spurling and measured the two side by side and all the dimensions matched, down to the size, number, and spacing of the ribs.." (See link below to album showing the rowboat when it was displayed in NEH Maritime Museum.)
Description:
Boat. Rowboat or skiff made ca. 1890. White with red trim. (The boat is on the right in this 2016 photo showing two rowboats. The other images are from June 2010 after GCIHS was given the boat and before it was repainted.) Per Willie Granston (GHMM): "used to have a name on the stern (Cat's Miow) and was given to the Historical Society by a Northeast Harbor family who had it in the basement of their cottage (the Brzezinski family)... I had it in an exhibit in Northeast Harbor (The Power of the Oar - Summer 2010), and it looked really really nice. We spent a lot of time cleaning it and washing it... It is almost undoubtedly a Chummy Spurling skiff as I lined it up with a known Spurling and measured the two side by side and all the dimensions matched, down to the size, number, and spacing of the ribs.." (See link below to album showing the rowboat when it was displayed in NEH Maritime Museum.) [show more]
2016.365.2128Rowboat or skiff by Dudley Bracy
  • Object, Vessels, Boat, Skiff
  • Vessels, Boat
Boat. Rowboat or skiff, made by Dud (Dudley) Bracy (Junior Bracy's grandfather) perhaps ca. 1890. White with red trim . Rowboat sat on the shore by Nancy Lea's boathouse near Newman & Gray boatyard for years. Kevin Russell gave the rowboat to donor after Russell became the owner of the Lea boathouse. Boathouse was then passed on to Brezinis and has since changed hands again. The boat was repainted at some point . (Willie Granston (GHMM) may have photos of boat when it was on the shore.)
Description:
Boat. Rowboat or skiff, made by Dud (Dudley) Bracy (Junior Bracy's grandfather) perhaps ca. 1890. White with red trim . Rowboat sat on the shore by Nancy Lea's boathouse near Newman & Gray boatyard for years. Kevin Russell gave the rowboat to donor after Russell became the owner of the Lea boathouse. Boathouse was then passed on to Brezinis and has since changed hands again. The boat was repainted at some point . (Willie Granston (GHMM) may have photos of boat when it was on the shore.) [show more]
2016.376.2139Buckboard: wooden wheels with iron cladding made in Bar Harbor
  • Object, Transportation, Carriage, Buckboard
  • Transportation, Carriage
Carriage. Buckboard, two beige upholstered bench seats with upholstered backs, and matching beige carpet floor mats, wooden whip holder, thin red lines painted as decoration on seat sides and other areas, brass tag reads: "Davis B.H. B.C. Bar Harbor, Me". Wooden wheels with iron cladding. From the old barn at the Red House - the Towns/Lim house. Willie Granston December 2016: "…. The buckboard is in really good condition…. I know of only two Davis Buckboards on MDI, and neither is this model. One is privately owned by Martha Stewart, and one is a really sweet little 2 seater with a rear groomsman's seat owned by Bar Harbor Historical Society and kept at Seal Cove Auto Museum. The buckboard at Seal Cove is missing its bottom cushion, and Martha's has been reupholstered, so those cushions, with the flaps, are super important. ...This is really important object." The Living Past,Virginia Somes-Sanderson p. 229: "People came in droves from Bar Harbor, some in their private carriages, often with coachmen and footmen, others in hired vehicles, but the majority in buckboards. These riding conveyances had rows of seats, all facing front; the largest carried fifteen persons, but theer were others built for ten, seven, five, four and two passengers ... Unfortunately, the tax on them became so high that the owners could not make them pay, so they disappeared from the scene." The donor recalls: "The buckboard has been there all my life. I'm quite sure it came with the property. I would imagine it's been there since the Crosbys owned the barn-- if not before. I believe that they owned it around 1915 because there was a drawing of a heart on a barn stall shutter with one of the Crosby boys' names and some girl's name and the date, I think it was 1915. As children, my friends and I used to play "Wagon Train" (an old, old TV show) on it. I was always Flint McCullough. He was my favorite, played by the actor, Robert Horton. Ward Bond played the Wagonmaster on TV. Whoever played his part on the buckboard would wave their arm forward and yell. "Wagons---ho !" We were all girls, as I recall, (I do remember pitching apples at and with Clayton Savage and Dickie Haydock but I don't think we let them play Wagon Train.)" See also http://www.skylinefarm.org/carriage-museum, Slide 9.
Description:
Carriage. Buckboard, two beige upholstered bench seats with upholstered backs, and matching beige carpet floor mats, wooden whip holder, thin red lines painted as decoration on seat sides and other areas, brass tag reads: "Davis B.H. B.C. Bar Harbor, Me". Wooden wheels with iron cladding. From the old barn at the Red House - the Towns/Lim house. Willie Granston December 2016: "…. The buckboard is in really good condition…. I know of only two Davis Buckboards on MDI, and neither is this model. One is privately owned by Martha Stewart, and one is a really sweet little 2 seater with a rear groomsman's seat owned by Bar Harbor Historical Society and kept at Seal Cove Auto Museum. The buckboard at Seal Cove is missing its bottom cushion, and Martha's has been reupholstered, so those cushions, with the flaps, are super important. ...This is really important object." The Living Past,Virginia Somes-Sanderson p. 229: "People came in droves from Bar Harbor, some in their private carriages, often with coachmen and footmen, others in hired vehicles, but the majority in buckboards. These riding conveyances had rows of seats, all facing front; the largest carried fifteen persons, but theer were others built for ten, seven, five, four and two passengers ... Unfortunately, the tax on them became so high that the owners could not make them pay, so they disappeared from the scene." The donor recalls: "The buckboard has been there all my life. I'm quite sure it came with the property. I would imagine it's been there since the Crosbys owned the barn-- if not before. I believe that they owned it around 1915 because there was a drawing of a heart on a barn stall shutter with one of the Crosby boys' names and some girl's name and the date, I think it was 1915. As children, my friends and I used to play "Wagon Train" (an old, old TV show) on it. I was always Flint McCullough. He was my favorite, played by the actor, Robert Horton. Ward Bond played the Wagonmaster on TV. Whoever played his part on the buckboard would wave their arm forward and yell. "Wagons---ho !" We were all girls, as I recall, (I do remember pitching apples at and with Clayton Savage and Dickie Haydock but I don't think we let them play Wagon Train.)" See also http://www.skylinefarm.org/carriage-museum, Slide 9. [show more]
2009.11.1180Brown silk outfit of Hannah Corson (nee Dick) Macfarlan for 1869 honeymoon
  • Object, Clothing, Ensemble
  • People
Dress. Brown silk "going away" outfit of Hannah Corson (nee Dick) Macfarlan (Robin Freeman's great grandmother & Mickey Macfarlan's grandmother) for her honeymoon trip. Married 21 Apr 1869 in Philadelphia. Fitted bodice/jacket and long skirt with slightly bustled overskirt. Lighter brocaded underskirt. Darker velvet trim at neck, cuffs and along skirt panel. See also 2009.11.1942 accessories said to have been worn with this outfit: two pairs of kid gloves, parasol, white shoes, and hat. (See also photo 2009.11.1180B from "2009 photos>Robin Swain", for a picture of Hannah Corson Dick Macfarlan: b. 1850-d.1913 in Philadelphia. Note from donor: "15 oct 2009 I am attaching a photo to this email of my great-grandmother, Hannah Corson Dick Macfarlan, who wore the brown dress I gave to the GCIHS. She lived from 1850 to 1913 in Philadelphia. She married Dr. Malcolm Macfarlan on April 21, 1869, when she wore the dress. She had nine children, seven of whom lived to adulthood. Of the seven children, one was a girl and six were boys! One of the boys was Douglas Macfarlan, Mickey's father."
Description:
Dress. Brown silk "going away" outfit of Hannah Corson (nee Dick) Macfarlan (Robin Freeman's great grandmother & Mickey Macfarlan's grandmother) for her honeymoon trip. Married 21 Apr 1869 in Philadelphia. Fitted bodice/jacket and long skirt with slightly bustled overskirt. Lighter brocaded underskirt. Darker velvet trim at neck, cuffs and along skirt panel. See also 2009.11.1942 accessories said to have been worn with this outfit: two pairs of kid gloves, parasol, white shoes, and hat. (See also photo 2009.11.1180B from "2009 photos>Robin Swain", for a picture of Hannah Corson Dick Macfarlan: b. 1850-d.1913 in Philadelphia. Note from donor: "15 oct 2009 I am attaching a photo to this email of my great-grandmother, Hannah Corson Dick Macfarlan, who wore the brown dress I gave to the GCIHS. She lived from 1850 to 1913 in Philadelphia. She married Dr. Malcolm Macfarlan on April 21, 1869, when she wore the dress. She had nine children, seven of whom lived to adulthood. Of the seven children, one was a girl and six were boys! One of the boys was Douglas Macfarlan, Mickey's father." [show more]
2013.217.1851Lobsterman boots belonging to Steve Spurling ca. 2000
  • Object, Clothing, Shoe
Boots. Black rubber lobsterman's fishing boots, size 11, tops folded over, heavily spattered with red and blue paint, found and recovered by Wini Smart & Bruce Komusin from the town dump, and later identified by Steve Spurling as being his own boots that he threw away ca. 2000
Description:
Boots. Black rubber lobsterman's fishing boots, size 11, tops folded over, heavily spattered with red and blue paint, found and recovered by Wini Smart & Bruce Komusin from the town dump, and later identified by Steve Spurling as being his own boots that he threw away ca. 2000
2013.241.2038Boots of lobersterman Steve Spurling
  • Object, Clothing, Shoe
Boots. Pair of rubber lobsterman boots belonging to Steve Spurling. Size 10, black with yellow along foot and white soles.
Description:
Boots. Pair of rubber lobsterman boots belonging to Steve Spurling. Size 10, black with yellow along foot and white soles.
1000.182.1334Black dress with cape
  • Object, Clothing, Ensemble
  • People
Black (wedding?) dress with cape said to be from 1800s. (A 2014 visitor, a costume conservator herself, feels this dress dates to the 1920s.) Donor's son states the dress came from the Spurling side of the family not the Stanley side and believes his great grandmother Josie Stanley Bunker (b. 1870 on Cranberry) wore it more than once.
Description:
Black (wedding?) dress with cape said to be from 1800s. (A 2014 visitor, a costume conservator herself, feels this dress dates to the 1920s.) Donor's son states the dress came from the Spurling side of the family not the Stanley side and believes his great grandmother Josie Stanley Bunker (b. 1870 on Cranberry) wore it more than once.
1000.187.1352Elegant Parisian outfit worn by Mrs. Gertrude Cutts Storey
  • Object, Clothing, Ensemble
  • People
Clothing. Parisian dress - outfit with eggplant-color skirt and jacket. Worn by Mrs. Gertrude Cutts Storey, wife of Moorfield Storey (1845–1929), the first Rusticator on Great Cranberry Island. Storey was a prominent Boston lawyer who was nationally known. He was president of the American Bar Association, an active member of the Anti-Imperialist League, and the first president of the NAACP. He was also active in gaining independence for the Philippine Islands. Storey arrived in Northeast Harbor after the Civil war, building a house there. In 1887 he built a house on Great Cranberry that eventually became the property of his grand daughter, Trudy Bancroft, who donated this outfit.
Description:
Clothing. Parisian dress - outfit with eggplant-color skirt and jacket. Worn by Mrs. Gertrude Cutts Storey, wife of Moorfield Storey (1845–1929), the first Rusticator on Great Cranberry Island. Storey was a prominent Boston lawyer who was nationally known. He was president of the American Bar Association, an active member of the Anti-Imperialist League, and the first president of the NAACP. He was also active in gaining independence for the Philippine Islands. Storey arrived in Northeast Harbor after the Civil war, building a house there. In 1887 he built a house on Great Cranberry that eventually became the property of his grand daughter, Trudy Bancroft, who donated this outfit. [show more]
1000.0.1224Large fishing hand line with weights with wood frame
  • Object, Fishing, Fishing Equipment
  • Businesses, Fishery Business
Fishing gear, large fishing hand line with weights, wrapped around a wooden frame
Description:
Fishing gear, large fishing hand line with weights, wrapped around a wooden frame
2005.138.2026Hooked rug with geometric dog motif
  • Object, Furnishings, Rug
Rug. Hooked, wool, green and beige geometric dog motif. Made on Cranberry Isles 1902-1905. One of two similar rugs from same donor. Donor inherited this rug and believes it belonged to Miriam Reynolds, one of several Mount Desert summer residents who established a rug-making cottage industry on Cranberry Island. Donor explained: "Reynolds was part of the family of William Reed Huntington, who spent summers in Northeast Harbor starting around 1886.  Mrs. Huntington died years before, leaving four small children, and her older sister, Miriam, moved in to take care of them.  The youngest of the four was Mary, who later married William Thompson.  They summered in Tamworth, New Hampshire, and this rug was in their house there.  The house was inherited by their second son, Charles G. Thompson.  When Charles's daughter Victoria married Dr. James S. Murphy, a Seal Harbor summer resident, she was given the Cranberry rug (by then quite worn) so that it might return to nearer its origin.  For forty years it lived in Seal Harbor, but when Victoria's daughter Alice married Cranberry Island summer resident Bill Bancroft, the rug came home!" This rug was repaired in the same manner as the crab-motif rug, but is in much worse condition. It, too, lacks the CR monogram that was usually worked into one corner or on the selvage at the back of rugs that were made specifically by the Cranberry Island Club rug makers at the turn of the century. From "Bulletin of the Bureau of Labor", #55 (Nov. 1904), pp 1573-1622, the article "The Revival of Handicrafts in America." by Max West, Ph. D. states: Cranberry Islanders ".... were already familiar with the process of hooking rugs; and they were fortunate in having the benefit of the initiative, moral support, and financial backing of Mrs. Seth Low, Miss Miriam P. Reynolds, and one or two other New York women whose summer homes are at Northeast Harbor, as well as in obtaining the aid of capable designers. The industry was started on a small scale in the autumn of 1901, under the supervision of Miss Amy Mali Hicks, a designer identified with the arts and crafts movement in New York City, who designed the patterns and gave instruction in dyeing, etc. ..."
Description:
Rug. Hooked, wool, green and beige geometric dog motif. Made on Cranberry Isles 1902-1905. One of two similar rugs from same donor. Donor inherited this rug and believes it belonged to Miriam Reynolds, one of several Mount Desert summer residents who established a rug-making cottage industry on Cranberry Island. Donor explained: "Reynolds was part of the family of William Reed Huntington, who spent summers in Northeast Harbor starting around 1886.  Mrs. Huntington died years before, leaving four small children, and her older sister, Miriam, moved in to take care of them.  The youngest of the four was Mary, who later married William Thompson.  They summered in Tamworth, New Hampshire, and this rug was in their house there.  The house was inherited by their second son, Charles G. Thompson.  When Charles's daughter Victoria married Dr. James S. Murphy, a Seal Harbor summer resident, she was given the Cranberry rug (by then quite worn) so that it might return to nearer its origin.  For forty years it lived in Seal Harbor, but when Victoria's daughter Alice married Cranberry Island summer resident Bill Bancroft, the rug came home!" This rug was repaired in the same manner as the crab-motif rug, but is in much worse condition. It, too, lacks the CR monogram that was usually worked into one corner or on the selvage at the back of rugs that were made specifically by the Cranberry Island Club rug makers at the turn of the century. From "Bulletin of the Bureau of Labor", #55 (Nov. 1904), pp 1573-1622, the article "The Revival of Handicrafts in America." by Max West, Ph. D. states: Cranberry Islanders ".... were already familiar with the process of hooking rugs; and they were fortunate in having the benefit of the initiative, moral support, and financial backing of Mrs. Seth Low, Miss Miriam P. Reynolds, and one or two other New York women whose summer homes are at Northeast Harbor, as well as in obtaining the aid of capable designers. The industry was started on a small scale in the autumn of 1901, under the supervision of Miss Amy Mali Hicks, a designer identified with the arts and crafts movement in New York City, who designed the patterns and gave instruction in dyeing, etc. ..." [show more]
2005.138.2025Hooked rug with crab motif
  • Object, Furnishings, Rug
  • Organizations, Civic
  • Other, Textiles
Rug. Green and beige crab motif. Hooked, wool, sheared on burlap, 29.5" x 64.5". Made on Cranberry Isles 1902-1905. One of two similar rugs from same donor. (See 2005.138.2026 dog-motif rug.) Donor states her sister recovered this rug from the storage shed at their parents' house in New Hampshire after reading the Bangor Daily News article about her earlier donation of the dog-motif rug; and that this rug was repaired in the same manner as that rug, but is in much better condition. This rug lacks the CR monogram that was usually worked into one corner or on the selvage at the back of rugs that were made specifically by the Cranberry Island Club rug makers at the turn of the century. But it likely shares the provenance of the dog-motif rug described by its donor and its connection to Miriam P. Reynolds of Northeast Harbor and her family's New Hampshire connection. From "Bulletin of the Bureau of Labor", #55 (Nov. 1904), pp 1573-1622, the article "The Revival of Handicrafts in America." by Max West, Ph. D. states: Cranberry Islanders ".... were already familiar with the process of hooking rugs; and they were fortunate in having the benefit of the initiative, moral support, and financial backing of Mrs. Seth Low, Miss Miriam P. Reynolds, and one or two other New York women whose summer homes are at Northeast Harbor, as well as in obtaining the aid of capable designers. The industry was started on a small scale in the autumn of 1901, under the supervision of Miss Amy Mali Hicks, a designer identified with the arts and crafts movement in New York City, who designed the patterns and gave instruction in dyeing, etc. ..." (See also "Three Centuries of Hooking, Mount Desert Island Historical Society, 2009, p. 20-21.)
Description:
Rug. Green and beige crab motif. Hooked, wool, sheared on burlap, 29.5" x 64.5". Made on Cranberry Isles 1902-1905. One of two similar rugs from same donor. (See 2005.138.2026 dog-motif rug.) Donor states her sister recovered this rug from the storage shed at their parents' house in New Hampshire after reading the Bangor Daily News article about her earlier donation of the dog-motif rug; and that this rug was repaired in the same manner as that rug, but is in much better condition. This rug lacks the CR monogram that was usually worked into one corner or on the selvage at the back of rugs that were made specifically by the Cranberry Island Club rug makers at the turn of the century. But it likely shares the provenance of the dog-motif rug described by its donor and its connection to Miriam P. Reynolds of Northeast Harbor and her family's New Hampshire connection. From "Bulletin of the Bureau of Labor", #55 (Nov. 1904), pp 1573-1622, the article "The Revival of Handicrafts in America." by Max West, Ph. D. states: Cranberry Islanders ".... were already familiar with the process of hooking rugs; and they were fortunate in having the benefit of the initiative, moral support, and financial backing of Mrs. Seth Low, Miss Miriam P. Reynolds, and one or two other New York women whose summer homes are at Northeast Harbor, as well as in obtaining the aid of capable designers. The industry was started on a small scale in the autumn of 1901, under the supervision of Miss Amy Mali Hicks, a designer identified with the arts and crafts movement in New York City, who designed the patterns and gave instruction in dyeing, etc. ..." (See also "Three Centuries of Hooking, Mount Desert Island Historical Society, 2009, p. 20-21.) [show more]
2014.286.2037Doll house made by Al Gray 1915
  • Object, Toy
  • People
Doll house. Wood painted red, yellow and white with black roof and green base. Per donor, house was made about 1915 by Al Gray for his grandchildren, Molly, Hannah, and their sister and two brothers. Donor bought the doll house at Jane and Eddi Gray's hard sale ca. 2000 for her own grandchildren. (See eclectic doll furniture 2014.286.2037.)
Description:
Doll house. Wood painted red, yellow and white with black roof and green base. Per donor, house was made about 1915 by Al Gray for his grandchildren, Molly, Hannah, and their sister and two brothers. Donor bought the doll house at Jane and Eddi Gray's hard sale ca. 2000 for her own grandchildren. (See eclectic doll furniture 2014.286.2037.)
1000.0.1308Rectangular basket
  • Object, Containers, Basket
  • Businesses, Farming
Basket, woven wood-splint basket, rectangular, low
Description:
Basket, woven wood-splint basket, rectangular, low
2013.241.1976Braided rug
  • Object, Furnishings, Rug
  • Other, Textiles
Rug. Braided with hooked center element. Concentric rings of browns, blacks, and greens with pale blue, red, and maroon flowers in hooked center square. Reverse side of rug has patch of brown cotton fabric with coral and beige flower decoration 16.5 x 17" serving as backing for the hooked flowers. Edges badly worn. Hole by the maroon flower. Some separation between the concentric braided rings.
Description:
Rug. Braided with hooked center element. Concentric rings of browns, blacks, and greens with pale blue, red, and maroon flowers in hooked center square. Reverse side of rug has patch of brown cotton fabric with coral and beige flower decoration 16.5 x 17" serving as backing for the hooked flowers. Edges badly worn. Hole by the maroon flower. Some separation between the concentric braided rings.
1000.0.1226Large hand line with weights
  • Object, Fishing, Fishing Equipment
  • Businesses, Fishery Business
Large hand line with weights and initials JLS
Description:
Large hand line with weights and initials JLS
1000.18.1934Rug, hooked, depicting schooner
  • Object, Furnishings, Rug
  • Other, Textiles
Rug, hooked, rectangular; brown border with schooner, lighthouse and rocks against partly cloudy sky and green sea. From the home of Hilda Adel Bulger Spurling (1902-1987) (the Keegan's house on Harding Pt. Road in modern times). Hilda served as Postmistress on weekends for her sister Marjorie Phippen.
Description:
Rug, hooked, rectangular; brown border with schooner, lighthouse and rocks against partly cloudy sky and green sea. From the home of Hilda Adel Bulger Spurling (1902-1987) (the Keegan's house on Harding Pt. Road in modern times). Hilda served as Postmistress on weekends for her sister Marjorie Phippen.
2016.377.2140Six pairs of hand carved wood "tollers" (decoys)
  • Object, Model
Decoys. Set of six pairs of hand carved wood "tollers". Each pair of decoy ducks is attached by a wood slat, then the whole set is attached by strings. Used for luring coot ducks when hunting. Set the decoys on the water, then row off in a boat, and shoot whatever ducks are attracted. Lightweight wood with metal fasteners.
Description:
Decoys. Set of six pairs of hand carved wood "tollers". Each pair of decoy ducks is attached by a wood slat, then the whole set is attached by strings. Used for luring coot ducks when hunting. Set the decoys on the water, then row off in a boat, and shoot whatever ducks are attracted. Lightweight wood with metal fasteners.