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| Catalogue # | Title | Type | Subject | Description | |
|---|---|---|---|---|---|
| 2004.94.743 | Postage-stamp quilt made for Cara (Carrie) Richardson |
|
| Quilt, postage stamp style of various colors including double pinks and brown madders with solid brown backing brought around to front with mitered corners creating a brown binding. Quilt is 97" x 75" with 1 3/8" squares. Handwritten note attached: "Quilt top pieced by Ladies from our 'Aid' in 1903 as a welcome home gift to Cara (Carrie) Richardson who had been her own captain and navigator on her second trip to the Orient in Peter's boat which she inherited on his death. Her house is near Carolyn Liebow's." [Note here that "Orient" may just mean away from Maine, per Ralph Stanley.] Mary Katherine "Carrie" Stanley Richardson (1848-1920) was the daughter of Enoch B. Sr. and Caroline H. (Guptill) Stanley. Capt. Lewis G. Stanley was her brother. She was the second wife of Capt. Meltiah Richardson (1828-1901) and mother of Emery Willard Richardson (1873-1883) and Charles Emery “Peter” Richardson (1885-1971). She attended higher education in Boston. She traveled with her husband on his vessel the Carrie M. Richardson and was an expert celestial navigator. Carrie is buried in the Stanley Cemetery. In 2001, the Great Cranberry Island Historical Society wrote and produced the original play, Carrie Richardson of Big Cranberry. | 
Description: Quilt, postage stamp style of various colors including double pinks and brown madders with solid brown backing brought around to front with mitered corners creating a brown binding. Quilt is 97" x 75" with 1 3/8" squares. Handwritten note attached: "Quilt top pieced by Ladies from our 'Aid' in 1903 as a welcome home gift to Cara (Carrie) Richardson who had been her own captain and navigator on her second trip to the Orient in Peter's boat which she inherited on his death. Her house is near Carolyn Liebow's." [Note here that "Orient" may just mean away from Maine, per Ralph Stanley.] Mary Katherine "Carrie" Stanley Richardson (1848-1920) was the daughter of Enoch B. Sr. and Caroline H. (Guptill) Stanley. Capt. Lewis G. Stanley was her brother. She was the second wife of Capt. Meltiah Richardson (1828-1901) and mother of Emery Willard Richardson (1873-1883) and Charles Emery “Peter” Richardson (1885-1971). She attended higher education in Boston. She traveled with her husband on his vessel the Carrie M. Richardson and was an expert celestial navigator. Carrie is buried in the Stanley Cemetery. In 2001, the Great Cranberry Island Historical Society wrote and produced the original play, Carrie Richardson of Big Cranberry. [show more] |
| 2016.370.2133 | Metal tea strainer |
|
| Kitchenware. Tea strainer. Small, metal sieve basket suspended above attached metal bowl with black wooden handle. Stamped with: "Superior, Pat. Dec 22, 08, ALLCO" | 
Description: Kitchenware. Tea strainer. Small, metal sieve basket suspended above attached metal bowl with black wooden handle. Stamped with: "Superior, Pat. Dec 22, 08, ALLCO" |
| 2014.288.2043 | Straw whisk broom |
|
| Straw whisk broom with metal and string binding, tag reads "Gift from Ladies Aid Society, ca. early 1900. | 
Description: Straw whisk broom with metal and string binding, tag reads "Gift from Ladies Aid Society, ca. early 1900. |
| 1000.18.99 | Alice Bulger Stanley GCI high school notebook |
|
| Ledger, School accounts, kept by Alice Bulger 1906-1907, found in Ruth Westphal's house. With note from donor: "This book keeping exercise book belonged to Alice Bulger (Stanley) at a time when there evidently was a high school here on Great Cranberry in 1906-1907. Alice married Richard Stanley and they moved into the then new in 1910 home which now is the Westphal home." | 
Description: Ledger, School accounts, kept by Alice Bulger 1906-1907, found in Ruth Westphal's house. With note from donor: "This book keeping exercise book belonged to Alice Bulger (Stanley) at a time when there evidently was a high school here on Great Cranberry in 1906-1907. Alice married Richard Stanley and they moved into the then new in 1910 home which now is the Westphal home." |
| 2016.343.2109 | Sword made from a swordfish bill |
|
| Sword made from swordfish bill, with woven rope handle with remains of gilt in several spots, large red bow, and painted nautical scene. From left to right along the blade the painting shows a lighthouse, schooners, swordfish, seagull, flower, and a scroll with "Rena A. Percy", and date "July 19, 1908" towards the tip. Painting is peeling and flaking in some areas. On reverse, peeling paint remains near hilt but no evidence of painting on the rest of the blade. The Rena A. Percy was a schooner under Master Willis G.[E?] Bunker, with a crew of 14, (#200857?), either 78 or 46 Gross Tons, measuring 76.5/ 21.6/ 9.4. Built in 1904 in East Boothbay and used for dory trawling around Jonesport and elsewhere - (http://www.cranberryisles.com/photos/ci_notes.html - Cranberry Islands Notes by Chuck Liebow). Willis Bunker (1855-1915) was the uncle of donor's husband Linden "Tud" Bunker. Note states: "Sword came from Percy's house, Winslow Bunker's father." (In 2016, this would be the house owned by the Sullivan's.) | 
Description: Sword made from swordfish bill, with woven rope handle with remains of gilt in several spots, large red bow, and painted nautical scene. From left to right along the blade the painting shows a lighthouse, schooners, swordfish, seagull, flower, and a scroll with "Rena A. Percy", and date "July 19, 1908" towards the tip. Painting is peeling and flaking in some areas. On reverse, peeling paint remains near hilt but no evidence of painting on the rest of the blade. The Rena A. Percy was a schooner under Master Willis G.[E?] Bunker, with a crew of 14, (#200857?), either 78 or 46 Gross Tons, measuring 76.5/ 21.6/ 9.4. Built in 1904 in East Boothbay and used for dory trawling around Jonesport and elsewhere - (http://www.cranberryisles.com/photos/ci_notes.html - Cranberry Islands Notes by Chuck Liebow). Willis Bunker (1855-1915) was the uncle of donor's husband Linden "Tud" Bunker. Note states: "Sword came from Percy's house, Winslow Bunker's father." (In 2016, this would be the house owned by the Sullivan's.) [show more] |
| 2005.138.2026 | Hooked rug with geometric dog motif |
| Rug. Hooked, wool, green and beige geometric dog motif. Made on Cranberry Isles 1902-1905. One of two similar rugs from same donor. Donor inherited this rug and believes it belonged to Miriam Reynolds, one of several Mount Desert summer residents who established a rug-making cottage industry on Cranberry Island. Donor explained: "Reynolds was part of the family of William Reed Huntington, who spent summers in Northeast Harbor starting around 1886. Mrs. Huntington died years before, leaving four small children, and her older sister, Miriam, moved in to take care of them. The youngest of the four was Mary, who later married William Thompson. They summered in Tamworth, New Hampshire, and this rug was in their house there. The house was inherited by their second son, Charles G. Thompson. When Charles's daughter Victoria married Dr. James S. Murphy, a Seal Harbor summer resident, she was given the Cranberry rug (by then quite worn) so that it might return to nearer its origin. For forty years it lived in Seal Harbor, but when Victoria's daughter Alice married Cranberry Island summer resident Bill Bancroft, the rug came home!" This rug was repaired in the same manner as the crab-motif rug, but is in much worse condition. It, too, lacks the CR monogram that was usually worked into one corner or on the selvage at the back of rugs that were made specifically by the Cranberry Island Club rug makers at the turn of the century. From "Bulletin of the Bureau of Labor", #55 (Nov. 1904), pp 1573-1622, the article "The Revival of Handicrafts in America." by Max West, Ph. D. states: Cranberry Islanders ".... were already familiar with the process of hooking rugs; and they were fortunate in having the benefit of the initiative, moral support, and financial backing of Mrs. Seth Low, Miss Miriam P. Reynolds, and one or two other New York women whose summer homes are at Northeast Harbor, as well as in obtaining the aid of capable designers. The industry was started on a small scale in the autumn of 1901, under the supervision of Miss Amy Mali Hicks, a designer identified with the arts and crafts movement in New York City, who designed the patterns and gave instruction in dyeing, etc. ..." | 
Description: Rug. Hooked, wool, green and beige geometric dog motif. Made on Cranberry Isles 1902-1905. One of two similar rugs from same donor. Donor inherited this rug and believes it belonged to Miriam Reynolds, one of several Mount Desert summer residents who established a rug-making cottage industry on Cranberry Island. Donor explained: "Reynolds was part of the family of William Reed Huntington, who spent summers in Northeast Harbor starting around 1886. Mrs. Huntington died years before, leaving four small children, and her older sister, Miriam, moved in to take care of them. The youngest of the four was Mary, who later married William Thompson. They summered in Tamworth, New Hampshire, and this rug was in their house there. The house was inherited by their second son, Charles G. Thompson. When Charles's daughter Victoria married Dr. James S. Murphy, a Seal Harbor summer resident, she was given the Cranberry rug (by then quite worn) so that it might return to nearer its origin. For forty years it lived in Seal Harbor, but when Victoria's daughter Alice married Cranberry Island summer resident Bill Bancroft, the rug came home!" This rug was repaired in the same manner as the crab-motif rug, but is in much worse condition. It, too, lacks the CR monogram that was usually worked into one corner or on the selvage at the back of rugs that were made specifically by the Cranberry Island Club rug makers at the turn of the century. From "Bulletin of the Bureau of Labor", #55 (Nov. 1904), pp 1573-1622, the article "The Revival of Handicrafts in America." by Max West, Ph. D. states: Cranberry Islanders ".... were already familiar with the process of hooking rugs; and they were fortunate in having the benefit of the initiative, moral support, and financial backing of Mrs. Seth Low, Miss Miriam P. Reynolds, and one or two other New York women whose summer homes are at Northeast Harbor, as well as in obtaining the aid of capable designers. The industry was started on a small scale in the autumn of 1901, under the supervision of Miss Amy Mali Hicks, a designer identified with the arts and crafts movement in New York City, who designed the patterns and gave instruction in dyeing, etc. ..." [show more] |
