101 - 121 of 121 results
Refine Your Search
Subject
- Events (1)
- Object (8)
- Organizations (2)
- Other✖
- Culinary (36)
- Literature (20)
- Music (28)
- Poetry (5)
- Textiles (32)
- People (17)
- Structures (1)
Type
- Document (19)
- Image (7)
- Object (70)
- Publication (25)
Place
- none✖
Date
- none✖
Tags
- Bloom (3)
- Box 1 (1)
- Box 13 (2)
- Box 14 (3)
- Box 16 (2)
- Box 17 (1)
- Box 20 (1)
- Box 23 (1)
- Box 27 (2)
- Box 28 (2)
- Box 3 (1)
- Box 30 (2)
- Box 39 (2)
- Box 41 (2)
- Box 42 (2)
- Box 45 (1)
- Box 51 (8)
- Box 52 (1)
- Box 55 (1)
- Box 56 (1)
- Box 57 (1)
- Box 65 (1)
- Box 78 (1)
- Gilley (1)
- Indigenous American (1)
- Ladies Aid (1)
- Rachel Field (2)
- Robert Bloom (1)
- The Bloom Collection (1)
| Catalogue # | Title | Type | Subject | Description | |
|---|---|---|---|---|---|
| 2005.138.2025 | Hooked rug with crab motif |
|
| Rug. Green and beige crab motif. Hooked, wool, sheared on burlap, 29.5" x 64.5". Made on Cranberry Isles 1902-1905. One of two similar rugs from same donor. (See 2005.138.2026 dog-motif rug.) Donor states her sister recovered this rug from the storage shed at their parents' house in New Hampshire after reading the Bangor Daily News article about her earlier donation of the dog-motif rug; and that this rug was repaired in the same manner as that rug, but is in much better condition. This rug lacks the CR monogram that was usually worked into one corner or on the selvage at the back of rugs that were made specifically by the Cranberry Island Club rug makers at the turn of the century. But it likely shares the provenance of the dog-motif rug described by its donor and its connection to Miriam P. Reynolds of Northeast Harbor and her family's New Hampshire connection. From "Bulletin of the Bureau of Labor", #55 (Nov. 1904), pp 1573-1622, the article "The Revival of Handicrafts in America." by Max West, Ph. D. states: Cranberry Islanders ".... were already familiar with the process of hooking rugs; and they were fortunate in having the benefit of the initiative, moral support, and financial backing of Mrs. Seth Low, Miss Miriam P. Reynolds, and one or two other New York women whose summer homes are at Northeast Harbor, as well as in obtaining the aid of capable designers. The industry was started on a small scale in the autumn of 1901, under the supervision of Miss Amy Mali Hicks, a designer identified with the arts and crafts movement in New York City, who designed the patterns and gave instruction in dyeing, etc. ..." (See also "Three Centuries of Hooking, Mount Desert Island Historical Society, 2009, p. 20-21.) | 
Description: Rug. Green and beige crab motif. Hooked, wool, sheared on burlap, 29.5" x 64.5". Made on Cranberry Isles 1902-1905. One of two similar rugs from same donor. (See 2005.138.2026 dog-motif rug.) Donor states her sister recovered this rug from the storage shed at their parents' house in New Hampshire after reading the Bangor Daily News article about her earlier donation of the dog-motif rug; and that this rug was repaired in the same manner as that rug, but is in much better condition. This rug lacks the CR monogram that was usually worked into one corner or on the selvage at the back of rugs that were made specifically by the Cranberry Island Club rug makers at the turn of the century. But it likely shares the provenance of the dog-motif rug described by its donor and its connection to Miriam P. Reynolds of Northeast Harbor and her family's New Hampshire connection. From "Bulletin of the Bureau of Labor", #55 (Nov. 1904), pp 1573-1622, the article "The Revival of Handicrafts in America." by Max West, Ph. D. states: Cranberry Islanders ".... were already familiar with the process of hooking rugs; and they were fortunate in having the benefit of the initiative, moral support, and financial backing of Mrs. Seth Low, Miss Miriam P. Reynolds, and one or two other New York women whose summer homes are at Northeast Harbor, as well as in obtaining the aid of capable designers. The industry was started on a small scale in the autumn of 1901, under the supervision of Miss Amy Mali Hicks, a designer identified with the arts and crafts movement in New York City, who designed the patterns and gave instruction in dyeing, etc. ..." (See also "Three Centuries of Hooking, Mount Desert Island Historical Society, 2009, p. 20-21.) [show more] |
| 2013.241.1976 | Braided rug |
|
| Rug. Braided with hooked center element. Concentric rings of browns, blacks, and greens with pale blue, red, and maroon flowers in hooked center square. Reverse side of rug has patch of brown cotton fabric with coral and beige flower decoration 16.5 x 17" serving as backing for the hooked flowers. Edges badly worn. Hole by the maroon flower. Some separation between the concentric braided rings. | 
Description: Rug. Braided with hooked center element. Concentric rings of browns, blacks, and greens with pale blue, red, and maroon flowers in hooked center square. Reverse side of rug has patch of brown cotton fabric with coral and beige flower decoration 16.5 x 17" serving as backing for the hooked flowers. Edges badly worn. Hole by the maroon flower. Some separation between the concentric braided rings. |
| 1000.18.1934 | Rug, hooked, depicting schooner |
|
| Rug, hooked, rectangular; brown border with schooner, lighthouse and rocks against partly cloudy sky and green sea. From the home of Hilda Adel Bulger Spurling (1902-1987) (the Keegan's house on Harding Pt. Road in modern times). Hilda served as Postmistress on weekends for her sister Marjorie Phippen. | 
Description: Rug, hooked, rectangular; brown border with schooner, lighthouse and rocks against partly cloudy sky and green sea. From the home of Hilda Adel Bulger Spurling (1902-1987) (the Keegan's house on Harding Pt. Road in modern times). Hilda served as Postmistress on weekends for her sister Marjorie Phippen. |
| 2016.359.2124 | Six small hooked rugs |
|
| Rugs. A collection of six small hooked rugs of various shapes, fabrics, sizes, and patterns - likely early 20th century and made locally. Donor's sister-in-law, Holly Hartley, a summer resident in the house on Preble Cove, GCI, that donor now owns and where the rugs were used recalls: "The two worn, rectangular rugs are very familiar to me. I'm certain that my grandmother collected them, as I am sure they were in the house from the time I first came to Cranberry in 1946 at 2-years-old. The other two are not familiar to me. They seem a different aesthetic entirely - multiple types of flowers, lots of different colors, the use of shading. I wonder whether or not my Mother or my sister Vicky collected them. I know my grandmother had braided rugs that were made by Margie Phippen and her sister Hilde Spurling and their mother, Pink Bulger. No 6 is very familiar to me and I also think no 5 was in the house for a long time. I am now asking myself their locations in the house. I know we walked on them and I think they were in hallways and bedrooms. I still don't know the artist but I think these two are among the older ones." See photographs of backs and fronts of each rug. | 
Description: Rugs. A collection of six small hooked rugs of various shapes, fabrics, sizes, and patterns - likely early 20th century and made locally. Donor's sister-in-law, Holly Hartley, a summer resident in the house on Preble Cove, GCI, that donor now owns and where the rugs were used recalls: "The two worn, rectangular rugs are very familiar to me. I'm certain that my grandmother collected them, as I am sure they were in the house from the time I first came to Cranberry in 1946 at 2-years-old. The other two are not familiar to me. They seem a different aesthetic entirely - multiple types of flowers, lots of different colors, the use of shading. I wonder whether or not my Mother or my sister Vicky collected them. I know my grandmother had braided rugs that were made by Margie Phippen and her sister Hilde Spurling and their mother, Pink Bulger. No 6 is very familiar to me and I also think no 5 was in the house for a long time. I am now asking myself their locations in the house. I know we walked on them and I think they were in hallways and bedrooms. I still don't know the artist but I think these two are among the older ones." See photographs of backs and fronts of each rug. [show more] |
| 2015.331.2093 | Hooked rug with clamshell design |
|
| Rug. Hooked rug, with clamshell design. Description for clamshell from donor's 1987 appraisal at Thomaston Galleries: HOOKED RUG: woolens on burlap with 1/2”-wide braided border. Dark band enclosing tight rows of dark polychrome “Clam Shells”. Good overall condition. 20th c. American Dim: 28” x 47”. Donor doesn't know if it was made on GCI, but recalls it being in her mother's GCI home when she was a child. | 
Description: Rug. Hooked rug, with clamshell design. Description for clamshell from donor's 1987 appraisal at Thomaston Galleries: HOOKED RUG: woolens on burlap with 1/2”-wide braided border. Dark band enclosing tight rows of dark polychrome “Clam Shells”. Good overall condition. 20th c. American Dim: 28” x 47”. Donor doesn't know if it was made on GCI, but recalls it being in her mother's GCI home when she was a child. |
| 2015.331.2094 | Hooked rug with floral design |
|
| Rug. Hooked rug, with floral design. Donor doesn't know if it was made on GCI, but recalls it being in her mother's GCI home when she was a child. Rug is hooked with stockings and fabric on burlap. | 
Description: Rug. Hooked rug, with floral design. Donor doesn't know if it was made on GCI, but recalls it being in her mother's GCI home when she was a child. Rug is hooked with stockings and fabric on burlap. |
| 2016.335.2101 | Braided rugs and pot holder by Addie Duren |
|
| Rugs: two braided multi-colored rugs; and one cloth pot holder. These three items were all made by GCI resident Addie Duren. Rug (A) is oval shaped, brightly colored reds, blues, purples, greys 46" long by 32.5" wide. Rug (B) is oval shaped, black and tan overall 56" long x 39" wide. There is a story that when the Duren house caught fire (19xx?), it was Addie's rags and rug-making materials stored in the attic that kept the fire from spreading rapidly through whole house. Pot holder (C) has crocheted edges with dancing girl and pink backing. | 
Description: Rugs: two braided multi-colored rugs; and one cloth pot holder. These three items were all made by GCI resident Addie Duren. Rug (A) is oval shaped, brightly colored reds, blues, purples, greys 46" long by 32.5" wide. Rug (B) is oval shaped, black and tan overall 56" long x 39" wide. There is a story that when the Duren house caught fire (19xx?), it was Addie's rags and rug-making materials stored in the attic that kept the fire from spreading rapidly through whole house. Pot holder (C) has crocheted edges with dancing girl and pink backing. [show more] |
| 2016.373.1929 | Rug made by Cora Spurling Richardson Chapman |
|
| Rug, braided with hooked center. Concentric circles of brown, black, blue, tan, red, green, orange, and rose; the center is a hooked oblong, bordered in blue, with a depiction of a full basket of red, yellow, white, and tan flowers; on the reverse side, the central hooked area is covered with a green fabric protective patch. Donor Charlotte Harlan wrote 9/21/2016 and 10/8/16: "That rug belonged to my Aunt Virginia. She was my mother's youngest sister, my grandfather Charles Henry Bulger's daughter. We believe that the rug was made by Aunt Cora [Cora Spurling Richardson Chapman b. July 3, 1863], who lived in the house where the Dowlings live now. My mother spoke of her Aunt Cora quite often. She made a lot of braided rugs. | 
Description: Rug, braided with hooked center. Concentric circles of brown, black, blue, tan, red, green, orange, and rose; the center is a hooked oblong, bordered in blue, with a depiction of a full basket of red, yellow, white, and tan flowers; on the reverse side, the central hooked area is covered with a green fabric protective patch. Donor Charlotte Harlan wrote 9/21/2016 and 10/8/16: "That rug belonged to my Aunt Virginia. She was my mother's youngest sister, my grandfather Charles Henry Bulger's daughter. We believe that the rug was made by Aunt Cora [Cora Spurling Richardson Chapman b. July 3, 1863], who lived in the house where the Dowlings live now. My mother spoke of her Aunt Cora quite often. She made a lot of braided rugs. [show more] |
| 2013.214.1930 | Braided, oval rug |
|
| Rug, braided, oval; starting in the center, predominantly various red patterns; black, brown, gray, tan, and blue as the loops grow larger, culminating in a black border | 
Description: Rug, braided, oval; starting in the center, predominantly various red patterns; black, brown, gray, tan, and blue as the loops grow larger, culminating in a black border |
| 2013.214.1931 | Braided rug |
|
| Rug, braided, oval; starting in the center, predominantly black/white loops grow larger, then the colors change to gray/black, green/gray, and red/tan, culminating in a gray/black border; dirty and worn | 
Description: Rug, braided, oval; starting in the center, predominantly black/white loops grow larger, then the colors change to gray/black, green/gray, and red/tan, culminating in a gray/black border; dirty and worn |
| 1000.0.1098 | Collection of Rachel Field's Hitty Preble materials |
|
| Collection of Rachel Field/Hitty items, 1098a-g. (a) News article "Hitty Comes Home" Bar Harbor Times May 27, 2004. (b) News article "Children's books Include Rachel Field favorite" Mount Desert Islander May 18, 2006. Apparently, "Grace for an Island Meal" was her favorite. (c) 3 different printed copies of "Big Hitty" postcards. (d) Two-page genealogy "The Field Family of Stockbridge in the 1800s" covering 1781-1942, and ending with the death of Rachel Field. (e) Two writings by Rachel Field. "A Valentine for Old Dolls" and "Acceptance Paper", which she read after winning the Newbery Medal for "Hitty" in 1030. (f) Article by the Macmillan Company "Dorothy P. Lathrop" illustrator of Rachel Field's works. (g) Article from COMPASS, Aug 31, 2006, "Do You Know Who Hitty Is? If So, We've Got a Weekend for You", with announcement of "All this and Hitty too: a doll, a book, a seminar" held in Stockbridge, MA September 15-17, 2006. Also one-page "Looking Back at Hitty's Second Hundred Years" a talk by Margaret Chang, Delivered at the "all this and Hitty Too" Seminar of the Stockbridge Library Assocition, September 16, 2006. Actually, items d-g probably were all distributed at this seminar | 
Description: Collection of Rachel Field/Hitty items, 1098a-g. (a) News article "Hitty Comes Home" Bar Harbor Times May 27, 2004. (b) News article "Children's books Include Rachel Field favorite" Mount Desert Islander May 18, 2006. Apparently, "Grace for an Island Meal" was her favorite. (c) 3 different printed copies of "Big Hitty" postcards. (d) Two-page genealogy "The Field Family of Stockbridge in the 1800s" covering 1781-1942, and ending with the death of Rachel Field. (e) Two writings by Rachel Field. "A Valentine for Old Dolls" and "Acceptance Paper", which she read after winning the Newbery Medal for "Hitty" in 1030. (f) Article by the Macmillan Company "Dorothy P. Lathrop" illustrator of Rachel Field's works. (g) Article from COMPASS, Aug 31, 2006, "Do You Know Who Hitty Is? If So, We've Got a Weekend for You", with announcement of "All this and Hitty too: a doll, a book, a seminar" held in Stockbridge, MA September 15-17, 2006. Also one-page "Looking Back at Hitty's Second Hundred Years" a talk by Margaret Chang, Delivered at the "all this and Hitty Too" Seminar of the Stockbridge Library Assocition, September 16, 2006. Actually, items d-g probably were all distributed at this seminar [show more] |
| 2005.119.1004 | "Maine Life" article about Ladies Aid and Cranberry Quilters |
|
| Magazine "Maine Life" with article about the Ladies Aid and the Cranberry Quilters Gaile Colby, Beverly Sanborn, and Ruth Westphal are featured | 
Description: Magazine "Maine Life" with article about the Ladies Aid and the Cranberry Quilters Gaile Colby, Beverly Sanborn, and Ruth Westphal are featured |
| 1000.0.906 | Collection of Rachel Field Hitty Preble materials |
|
| Collection of 3 misc. articles pertaining to Rachel Field and Hitty Preble. 2 copies of an article copied from Down East Maine Magazine detailing Rachel Field's life and her connection to Cranberry Isles. 1 copy of "The Friends of Hitty" Newsletter edited by Virginia Hyardal containing a compilation of Rachel Field's works. 1 News release from the Cranberry House detailing plans to create and continue a Rachel Field and Hitty exhibit within the museum. | 
Description: Collection of 3 misc. articles pertaining to Rachel Field and Hitty Preble. 2 copies of an article copied from Down East Maine Magazine detailing Rachel Field's life and her connection to Cranberry Isles. 1 copy of "The Friends of Hitty" Newsletter edited by Virginia Hyardal containing a compilation of Rachel Field's works. 1 News release from the Cranberry House detailing plans to create and continue a Rachel Field and Hitty exhibit within the museum. [show more] |
| 1000.27.801 | Cranberry Quilts by Charlotte Harlan 2006 |
|
| Booklet, "Cranberry Quilts" by Charlotte Harlan. Photos and descriptions of 27 quilts shown at "Arts: Creative Works of the Cranberry Isles" exhibit, 20 July 2006, in Northeast Harbor Neighborhood House, as a Cranberry House fundraiser. | 
Description: Booklet, "Cranberry Quilts" by Charlotte Harlan. Photos and descriptions of 27 quilts shown at "Arts: Creative Works of the Cranberry Isles" exhibit, 20 July 2006, in Northeast Harbor Neighborhood House, as a Cranberry House fundraiser. |
| 2002.78.567 | Hooked rug stencils and patterns |
|
| Document, 3 laminated pages, copied from a book, "Introduction, by Robert G. Wheeler, Vice President", being a history of Edward Sands Frost, creator of the Frost hooked rug stencils and patterns, in 1868, with photo of Edward Sands Frost and Mrs. Charlotte K. Stratton (pg 4 & pg 5 from book) plus Pattern numbers 53, 126, and 101, all depicting horses (pg 14 from book). | 
Description: Document, 3 laminated pages, copied from a book, "Introduction, by Robert G. Wheeler, Vice President", being a history of Edward Sands Frost, creator of the Frost hooked rug stencils and patterns, in 1868, with photo of Edward Sands Frost and Mrs. Charlotte K. Stratton (pg 4 & pg 5 from book) plus Pattern numbers 53, 126, and 101, all depicting horses (pg 14 from book). |
| 1000.1.425 | Reviews of oboe performances by Sara Lambert Bloom |
|
| Document, 1 page, collection of reviews of oboe performances by Sara Lambert Bloom | 
Description: Document, 1 page, collection of reviews of oboe performances by Sara Lambert Bloom |
| 1000.1.428 | Picnic of trustees of the Arcady Music Festival, |
|
| Photo, picnic of trustees of the Arcady Music Festival, 1984 | 
Description: Photo, picnic of trustees of the Arcady Music Festival, 1984 |
| 1000.25.62 | Music available from Cormorant Press |
|
| Catalog, Music available from Cormorant Press (William Goldberg owner) |
Description: Catalog, Music available from Cormorant Press (William Goldberg owner) |
| 2000.233.71 | Quilts and quilting photos |
|
| Photos of quilts, Gertrude "Trudy" Bancroft quilts, and women quilting |
Description: Photos of quilts, Gertrude "Trudy" Bancroft quilts, and women quilting |
| 1000.18.34 | Sheet music |
|
| Sheet Music, 8 pieces, originally belonging to Alice M. Stanley, found in Ruth Westphal's house | 
Description: Sheet Music, 8 pieces, originally belonging to Alice M. Stanley, found in Ruth Westphal's house |
| 1000.18.35 | Music books from Alice Stanley |
|
| Sheet Music Books, 7 pieces, originally belonging to Alice M. Stanley, found in Ruth Westphal's house |
Description: Sheet Music Books, 7 pieces, originally belonging to Alice M. Stanley, found in Ruth Westphal's house |
