Boots. Black rubber lobsterman's fishing boots, size 11, tops folded over, heavily spattered with red and blue paint, found and recovered by Wini Smart & Bruce Komusin from the town dump, and later identified by Steve Spurling as being his own boots that he threw away ca. 2000
each boot 12" L x 5" W x 16" H (26.5" H if top is unfolded)
Description: Boots. Black rubber lobsterman's fishing boots, size 11, tops folded over, heavily spattered with red and blue paint, found and recovered by Wini Smart & Bruce Komusin from the town dump, and later identified by Steve Spurling as being his own boots that he threw away ca. 2000
Black (wedding?) dress with cape said to be from 1800s. (A 2014 visitor, a costume conservator herself, feels this dress dates to the 1920s.) Donor's son states the dress came from the Spurling side of the family not the Stanley side and believes his great grandmother Josie Stanley Bunker (b. 1870 on Cranberry) wore it more than once.
Description: Black (wedding?) dress with cape said to be from 1800s. (A 2014 visitor, a costume conservator herself, feels this dress dates to the 1920s.) Donor's son states the dress came from the Spurling side of the family not the Stanley side and believes his great grandmother Josie Stanley Bunker (b. 1870 on Cranberry) wore it more than once.
Clothing. Parisian dress - outfit with eggplant-color skirt and jacket. Worn by Mrs. Gertrude Cutts Storey, wife of Moorfield Storey (1845–1929), the first Rusticator on Great Cranberry Island. Storey was a prominent Boston lawyer who was nationally known. He was president of the American Bar Association, an active member of the Anti-Imperialist League, and the first president of the NAACP. He was also active in gaining independence for the Philippine Islands. Storey arrived in Northeast Harbor after the Civil war, building a house there. In 1887 he built a house on Great Cranberry that eventually became the property of his grand daughter, Trudy Bancroft, who donated this outfit.
Description: Clothing. Parisian dress - outfit with eggplant-color skirt and jacket. Worn by Mrs. Gertrude Cutts Storey, wife of Moorfield Storey (1845–1929), the first Rusticator on Great Cranberry Island. Storey was a prominent Boston lawyer who was nationally known. He was president of the American Bar Association, an active member of the Anti-Imperialist League, and the first president of the NAACP. He was also active in gaining independence for the Philippine Islands. Storey arrived in Northeast Harbor after the Civil war, building a house there. In 1887 he built a house on Great Cranberry that eventually became the property of his grand daughter, Trudy Bancroft, who donated this outfit. [show more]
Rug. Green and beige crab motif. Hooked, wool, sheared on burlap, 29.5" x 64.5". Made on Cranberry Isles 1902-1905. One of two similar rugs from same donor. (See 2005.138.2026 dog-motif rug.) Donor states her sister recovered this rug from the storage shed at their parents' house in New Hampshire after reading the Bangor Daily News article about her earlier donation of the dog-motif rug; and that this rug was repaired in the same manner as that rug, but is in much better condition. This rug lacks the CR monogram that was usually worked into one corner or on the selvage at the back of rugs that were made specifically by the Cranberry Island Club rug makers at the turn of the century. But it likely shares the provenance of the dog-motif rug described by its donor and its connection to Miriam P. Reynolds of Northeast Harbor and her family's New Hampshire connection. From "Bulletin of the Bureau of Labor", #55 (Nov. 1904), pp 1573-1622, the article "The Revival of Handicrafts in America." by Max West, Ph. D. states: Cranberry Islanders ".... were already familiar with the process of hooking rugs; and they were fortunate in having the benefit of the initiative, moral support, and financial backing of Mrs. Seth Low, Miss Miriam P. Reynolds, and one or two other New York women whose summer homes are at Northeast Harbor, as well as in obtaining the aid of capable designers. The industry was started on a small scale in the autumn of 1901, under the supervision of Miss Amy Mali Hicks, a designer identified with the arts and crafts movement in New York City, who designed the patterns and gave instruction in dyeing, etc. ..." (See also "Three Centuries of Hooking, Mount Desert Island Historical Society, 2009, p. 20-21.)
Description: Rug. Green and beige crab motif. Hooked, wool, sheared on burlap, 29.5" x 64.5". Made on Cranberry Isles 1902-1905. One of two similar rugs from same donor. (See 2005.138.2026 dog-motif rug.) Donor states her sister recovered this rug from the storage shed at their parents' house in New Hampshire after reading the Bangor Daily News article about her earlier donation of the dog-motif rug; and that this rug was repaired in the same manner as that rug, but is in much better condition. This rug lacks the CR monogram that was usually worked into one corner or on the selvage at the back of rugs that were made specifically by the Cranberry Island Club rug makers at the turn of the century. But it likely shares the provenance of the dog-motif rug described by its donor and its connection to Miriam P. Reynolds of Northeast Harbor and her family's New Hampshire connection. From "Bulletin of the Bureau of Labor", #55 (Nov. 1904), pp 1573-1622, the article "The Revival of Handicrafts in America." by Max West, Ph. D. states: Cranberry Islanders ".... were already familiar with the process of hooking rugs; and they were fortunate in having the benefit of the initiative, moral support, and financial backing of Mrs. Seth Low, Miss Miriam P. Reynolds, and one or two other New York women whose summer homes are at Northeast Harbor, as well as in obtaining the aid of capable designers. The industry was started on a small scale in the autumn of 1901, under the supervision of Miss Amy Mali Hicks, a designer identified with the arts and crafts movement in New York City, who designed the patterns and gave instruction in dyeing, etc. ..." (See also "Three Centuries of Hooking, Mount Desert Island Historical Society, 2009, p. 20-21.) [show more]
Rug. Braided with hooked center element. Concentric rings of browns, blacks, and greens with pale blue, red, and maroon flowers in hooked center square. Reverse side of rug has patch of brown cotton fabric with coral and beige flower decoration 16.5 x 17" serving as backing for the hooked flowers. Edges badly worn. Hole by the maroon flower. Some separation between the concentric braided rings.
Description: Rug. Braided with hooked center element. Concentric rings of browns, blacks, and greens with pale blue, red, and maroon flowers in hooked center square. Reverse side of rug has patch of brown cotton fabric with coral and beige flower decoration 16.5 x 17" serving as backing for the hooked flowers. Edges badly worn. Hole by the maroon flower. Some separation between the concentric braided rings.
Rug, hooked, rectangular; brown border with schooner, lighthouse and rocks against partly cloudy sky and green sea. From the home of Hilda Adel Bulger Spurling (1902-1987) (the Keegan's house on Harding Pt. Road in modern times). Hilda served as Postmistress on weekends for her sister Marjorie Phippen.
Description: Rug, hooked, rectangular; brown border with schooner, lighthouse and rocks against partly cloudy sky and green sea. From the home of Hilda Adel Bulger Spurling (1902-1987) (the Keegan's house on Harding Pt. Road in modern times). Hilda served as Postmistress on weekends for her sister Marjorie Phippen.
Decoys. Set of six pairs of hand carved wood "tollers". Each pair of decoy ducks is attached by a wood slat, then the whole set is attached by strings. Used for luring coot ducks when hunting. Set the decoys on the water, then row off in a boat, and shoot whatever ducks are attracted. Lightweight wood with metal fasteners.
Description: Decoys. Set of six pairs of hand carved wood "tollers". Each pair of decoy ducks is attached by a wood slat, then the whole set is attached by strings. Used for luring coot ducks when hunting. Set the decoys on the water, then row off in a boat, and shoot whatever ducks are attracted. Lightweight wood with metal fasteners.
Rugs. A collection of six small hooked rugs of various shapes, fabrics, sizes, and patterns - likely early 20th century and made locally. Donor's sister-in-law, Holly Hartley, a summer resident in the house on Preble Cove, GCI, that donor now owns and where the rugs were used recalls: "The two worn, rectangular rugs are very familiar to me. I'm certain that my grandmother collected them, as I am sure they were in the house from the time I first came to Cranberry in 1946 at 2-years-old. The other two are not familiar to me. They seem a different aesthetic entirely - multiple types of flowers, lots of different colors, the use of shading. I wonder whether or not my Mother or my sister Vicky collected them. I know my grandmother had braided rugs that were made by Margie Phippen and her sister Hilde Spurling and their mother, Pink Bulger. No 6 is very familiar to me and I also think no 5 was in the house for a long time. I am now asking myself their locations in the house. I know we walked on them and I think they were in hallways and bedrooms. I still don't know the artist but I think these two are among the older ones." See photographs of backs and fronts of each rug.
Description: Rugs. A collection of six small hooked rugs of various shapes, fabrics, sizes, and patterns - likely early 20th century and made locally. Donor's sister-in-law, Holly Hartley, a summer resident in the house on Preble Cove, GCI, that donor now owns and where the rugs were used recalls: "The two worn, rectangular rugs are very familiar to me. I'm certain that my grandmother collected them, as I am sure they were in the house from the time I first came to Cranberry in 1946 at 2-years-old. The other two are not familiar to me. They seem a different aesthetic entirely - multiple types of flowers, lots of different colors, the use of shading. I wonder whether or not my Mother or my sister Vicky collected them. I know my grandmother had braided rugs that were made by Margie Phippen and her sister Hilde Spurling and their mother, Pink Bulger. No 6 is very familiar to me and I also think no 5 was in the house for a long time. I am now asking myself their locations in the house. I know we walked on them and I think they were in hallways and bedrooms. I still don't know the artist but I think these two are among the older ones." See photographs of backs and fronts of each rug. [show more]
Rug. Hooked rug, with clamshell design. Description for clamshell from donor's 1987 appraisal at Thomaston Galleries: HOOKED RUG: woolens on burlap with 1/2”-wide braided border. Dark band enclosing tight rows of dark polychrome “Clam Shells”. Good overall condition. 20th c. American Dim: 28” x 47”. Donor doesn't know if it was made on GCI, but recalls it being in her mother's GCI home when she was a child.
Description: Rug. Hooked rug, with clamshell design. Description for clamshell from donor's 1987 appraisal at Thomaston Galleries: HOOKED RUG: woolens on burlap with 1/2”-wide braided border. Dark band enclosing tight rows of dark polychrome “Clam Shells”. Good overall condition. 20th c. American Dim: 28” x 47”. Donor doesn't know if it was made on GCI, but recalls it being in her mother's GCI home when she was a child.
Rug. Hooked rug, with floral design. Donor doesn't know if it was made on GCI, but recalls it being in her mother's GCI home when she was a child. Rug is hooked with stockings and fabric on burlap.
Description: Rug. Hooked rug, with floral design. Donor doesn't know if it was made on GCI, but recalls it being in her mother's GCI home when she was a child. Rug is hooked with stockings and fabric on burlap.
Rugs: two braided multi-colored rugs; and one cloth pot holder. These three items were all made by GCI resident Addie Duren. Rug (A) is oval shaped, brightly colored reds, blues, purples, greys 46" long by 32.5" wide. Rug (B) is oval shaped, black and tan overall 56" long x 39" wide. There is a story that when the Duren house caught fire (19xx?), it was Addie's rags and rug-making materials stored in the attic that kept the fire from spreading rapidly through whole house. Pot holder (C) has crocheted edges with dancing girl and pink backing.
Description: Rugs: two braided multi-colored rugs; and one cloth pot holder. These three items were all made by GCI resident Addie Duren. Rug (A) is oval shaped, brightly colored reds, blues, purples, greys 46" long by 32.5" wide. Rug (B) is oval shaped, black and tan overall 56" long x 39" wide. There is a story that when the Duren house caught fire (19xx?), it was Addie's rags and rug-making materials stored in the attic that kept the fire from spreading rapidly through whole house. Pot holder (C) has crocheted edges with dancing girl and pink backing. [show more]
Rug, braided with hooked center. Concentric circles of brown, black, blue, tan, red, green, orange, and rose; the center is a hooked oblong, bordered in blue, with a depiction of a full basket of red, yellow, white, and tan flowers; on the reverse side, the central hooked area is covered with a green fabric protective patch. Donor Charlotte Harlan wrote 9/21/2016 and 10/8/16: "That rug belonged to my Aunt Virginia. She was my mother's youngest sister, my grandfather Charles Henry Bulger's daughter. We believe that the rug was made by Aunt Cora [Cora Spurling Richardson Chapman b. July 3, 1863], who lived in the house where the Dowlings live now. My mother spoke of her Aunt Cora quite often. She made a lot of braided rugs.
Description: Rug, braided with hooked center. Concentric circles of brown, black, blue, tan, red, green, orange, and rose; the center is a hooked oblong, bordered in blue, with a depiction of a full basket of red, yellow, white, and tan flowers; on the reverse side, the central hooked area is covered with a green fabric protective patch. Donor Charlotte Harlan wrote 9/21/2016 and 10/8/16: "That rug belonged to my Aunt Virginia. She was my mother's youngest sister, my grandfather Charles Henry Bulger's daughter. We believe that the rug was made by Aunt Cora [Cora Spurling Richardson Chapman b. July 3, 1863], who lived in the house where the Dowlings live now. My mother spoke of her Aunt Cora quite often. She made a lot of braided rugs. [show more]
Rug, braided, oval; starting in the center, predominantly various red patterns; black, brown, gray, tan, and blue as the loops grow larger, culminating in a black border
Description: Rug, braided, oval; starting in the center, predominantly various red patterns; black, brown, gray, tan, and blue as the loops grow larger, culminating in a black border
Rug, braided, oval; starting in the center, predominantly black/white loops grow larger, then the colors change to gray/black, green/gray, and red/tan, culminating in a gray/black border; dirty and worn
Description: Rug, braided, oval; starting in the center, predominantly black/white loops grow larger, then the colors change to gray/black, green/gray, and red/tan, culminating in a gray/black border; dirty and worn
Fishing gear, large wood, rectangular, slatted box with handle - clam hod (clam basket) handmade out of parts previously painted in various colors: red, white, green. With small wooden box full of shells.
Description: Fishing gear, large wood, rectangular, slatted box with handle - clam hod (clam basket) handmade out of parts previously painted in various colors: red, white, green. With small wooden box full of shells.
Fishing gear, buoy (lobster float), double plastic buoys on one plastic shaft, yellow with three vertical red stripes, branded with "7491" and also "8676"; the plastic shaft has been heated and bent to form a loop to which a swivel fitting is attached, which is then tied to a rope
Description: Fishing gear, buoy (lobster float), double plastic buoys on one plastic shaft, yellow with three vertical red stripes, branded with "7491" and also "8676"; the plastic shaft has been heated and bent to form a loop to which a swivel fitting is attached, which is then tied to a rope
Fishing gear, wooden buoy (lobster float), fish shaped, white top and blue bottom, branded with "C.E. RICHARDSON" and "900", with hole in the blue bottom part for attaching to a rope; concave on one side probably because the log used to make it was soft or rotten in that area
Description: Fishing gear, wooden buoy (lobster float), fish shaped, white top and blue bottom, branded with "C.E. RICHARDSON" and "900", with hole in the blue bottom part for attaching to a rope; concave on one side probably because the log used to make it was soft or rotten in that area
Fishing gear, wooden buoy (lobster float), club shaped, with perhaps white bottom (top paint, if any, is worn off), carved with "FLS" and also branded with "F L STANLEY", with hole in the thicker white bottom part for attaching to a rope
Description: Fishing gear, wooden buoy (lobster float), club shaped, with perhaps white bottom (top paint, if any, is worn off), carved with "FLS" and also branded with "F L STANLEY", with hole in the thicker white bottom part for attaching to a rope
Fishing gear, wooden buoy (lobster float), bullet shaped, remants of white and red paint, carved with "GWS", and on the other side "BS", with hole in the narrow part for attaching to a rope, and hole on top for a missing handle
Description: Fishing gear, wooden buoy (lobster float), bullet shaped, remants of white and red paint, carved with "GWS", and on the other side "BS", with hole in the narrow part for attaching to a rope, and hole on top for a missing handle